For this true story about two sisters a century ahead of their time, I wanted to have a type treatment that immediately evoked turn-of-the-century, but that had an excitement to it so people knew this wasn't just another boring history book.
       
     
 I gathered sheet music for type reference and hired the brilliant typographer  Drew Melton  to work on the cover.
       
     
 One of Drew's initial sketches
       
     
 The sketch and layout we settled on
       
     
 The type design rendered and finalized in Illustrator
       
     
 The final cover with color and added portraits of the sisters
       
     
 For this true story about two sisters a century ahead of their time, I wanted to have a type treatment that immediately evoked turn-of-the-century, but that had an excitement to it so people knew this wasn't just another boring history book.
       
     

For this true story about two sisters a century ahead of their time, I wanted to have a type treatment that immediately evoked turn-of-the-century, but that had an excitement to it so people knew this wasn't just another boring history book.

 I gathered sheet music for type reference and hired the brilliant typographer  Drew Melton  to work on the cover.
       
     

I gathered sheet music for type reference and hired the brilliant typographer Drew Melton to work on the cover.

 One of Drew's initial sketches
       
     

One of Drew's initial sketches

 The sketch and layout we settled on
       
     

The sketch and layout we settled on

 The type design rendered and finalized in Illustrator
       
     

The type design rendered and finalized in Illustrator

 The final cover with color and added portraits of the sisters
       
     

The final cover with color and added portraits of the sisters